For this i focused on my theoretical home, the stable. As I said it’s a place where I feel happy, comfortable, containing people who I get on with, horses which I’ve schooled from young ages, I’ve worked there and to me I see it as a second home in Kent. However the whole experience at the moment of being away from Kent as I’m at university in Lincoln, makes the idea of it now, distorted and blurry. The longer I’m away from it the more faded it becomes in my memory. I looked at two different method of distorting my images of the horse which I took to represent visually how this home is in my mind when I am in my first home now up in Lincoln.
Artist Research – Pierre Debusschere
Pierre is a Belgium director, photographer and curator. He utilises innovative technologies in his work to create high impact visuals. His work involves a lot of distortion and highly intriguing works which catch your eye, One which I looked at was the image below. This image shows movement but through a static image. But the movement shows a blur and is softer, showing a fade. This gave me the idea to use a series of images of horses and overlay them to show the movement but the fade of the images shows how being away from it fades the memories of this home and it is no longer a strong image in my mind.

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I started off thinking when taking the images that I wanted to get the movement and put the movement images together but then by the time I got to editing techniques, in Photoshop, I found that overlaying the same images over each other a few times were really effective and worked really well. Instead of showing movement, it showed a horse portrait but the overlays blur it showing the idea of a faded memory of back home in Kent. I think this technique works really well to show the idea of a distant memory. Even though it is distant though it is still regarded at home and is my visual representation of home in Kent.
Edits – In the style of Pierre Debusschere

These first three are the strongest coloured horses to show the movement and they consist of two colours which aren’t too dark. This means you are able to see the overlays quite well creating a better blur. For this first image I only did three overlays where it looks like a double blur.

This image is a bit darker and a bit under exposed however it has a brownish tint to it making it look like an older photo. This is quite a good effect to show it being a distant memory swell as with the blur with it.

This image is effective again in a different way. It shows the distant memory through the blurriness however it has quite vivid colours which can show the clarity of the stable when I return in the holidays. However I prefer the last image.

I think this image struggled to have a full impact due to the darker coloured horses not being able to see the overlays swell on each other and also the door. As it is uneven it overlays over the pony image and blurs, this makes it hard to distinguish the overlays.

Again this image you struggle to see the overlays due to the colour of the horse being white. However I think is easier to see the the black pony. By doing suite movement with this on you are able to see a blur giving off that faded effect. The door also work in this image as its a straight door and to doesn’t interrupt the pony too much.